“Most modern readers may feel instinctively that literary experience has much in common with the act of overhearing. Reading fiction is a process of allowing characters’ voices to sound in the inner ear, and absorbing the imagined noise they make (magically cued by curls of ink on a page).
It’s common to think of writers, too, building fictional worlds through voices, as if creativity begins as a subtle internal overhearing. The analogy between imagining and hearing certainly runs deep in our myths of culture. Inspiration, that theory of composition at once ancient, Romantic, and modern, tells us that creativity ignites by admitting some mysterious other voice into the writer’s flow of being. To write means having one’s voice disrupted, taken over, rendered by another.
Dickens believed this, too. Later in his career, Dickens’s vocal impersonations of his own characters gave this truth a theatrical form: the public reading tour. … Hearing voices and inventing character were also indivisible aspects of his creativity.”
Read More: theguardian.com/books/2014/aug/22/charles-dickens-hearing-voices-created-his-novels