The novel will survive criticism

“The novel, more than any other genre, is capable of containing large, developed, consistent images of people, and this is one of the reasons that anyone reads novels. The novel […] can give form to a set of attitudes regarding society, history, and the general culture of which the novel is a part, and this too is a reason for reading novels. But the criticism which results from this motive runs the danger of treating fiction as a document, evaluating it less as art than as culture exhibit and ideological force.”

“It is difficult to think of another area in which the same assumptions have any currency, assumptions which imply that to describe, to define, and to generalize are somehow to sap the vitality of the subject. It is difficult to think of another area in which they are less appropriate. The novel is rich enough and intricate enough as a genre to demand the combined insights of formalist criticism and cultural history in understanding its tradition, and it is vital enough to survive any amount of theory or criticism, even if that criticism is badly done.”

From: sunnewsonline.com/new/?p=59080

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