“In genre fiction, it’s not like that. People usually begin their careers by having their writing rejected by their undergrad creative writing professors. Then (since they don’t get paid by MFA programs), they must write in silence and obscurity—choosing to write even when it means taking time away from their jobs and their families—for years! Since genre workshops tend to be self-organized, even if the writer does go to a regular workshop, their validation usually only comes from their peers (rather than from authority figures). Oftentimes their first real validation is when they sell a story: something that often comes after five or more years of constant rejection, with only extremely infrequent pats on the back (as opposed to the creative writing student who gets some praise at least three times a semester, when they turn in their stories for workshop).
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I WRITE THRILLERS:
Jack SpyWriter King
- The function of a writer, literature
- Why Reading Novels is Important
- Using Sex in Espionage
- The Monetization of Art and the Killing of Creativity
- Simplicity and Clarity vs Complexity in Writing
- The three Bs of summer | LitBash 32
- Literature Key to Successful Business
- Operation Susannah: False Flag Operation Gone Bad
- Write to be Heard
- What is Life without Reading
- The Radicalism of Reading - fee.org/articles/the-r…>> 2 days ago
- The Untouchables: Canadian spies - aljazeera.com/indepth/opinio…>> 4 days ago
- 10 Writing Rules You Can and Should Break - (in short: Ditch Clone Factories called creative writing classes) publishersweekly.com/pw/by-topic/in…>> 1 week ago
- How Technology Is Changing the Literary World - forbes.com/sites/quora/20…>> 1 week ago
- Ian Fleming vs John le Carré acast.com/intelligencesq…>> 1 week ago
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