“His work took possession of him and he felt the approach of what is called inspiration. At such moments the relation of the forces that determine artistic creation is, as it were, reversed. The dominant thing is no longer the state of mind the artist seeks to express but the language in which he wants to express it. Language, the home and receptacle of beauty and meaning, itself begins to think and speak for man and turns wholly into music, not in terms of sonority but in terms of the impetuousness and power of its inward flow. Then, like the current of a mighty river polishing stones and turning wheels by its very movement, the flow of speech creates in passing, by virtue of its own laws, meter and rhythm and countless other forms and formations, which are even more important, but which are as yet unexplored, insufficiently recognized, and unnamed. At such moments Yurii Andreievich felt that the main part of the work was being done not by him but by a superior power which was above him and directed him, namely the movement of universal thought and poetry in its present historical stage and the one to come. And he felt himself to be only the occasion, the fulcrum, needed to make this movement possible.” Boris Pasternak, Doctor Zhivago
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- Animals in espionage - en.citizendium.org/wiki/Animals_i…>> 1 day ago
- The OSS and CIA in Hollywood Cinema - blogs.lse.ac.uk/usappblog/2016…>> 3 days ago
- "How anthropology has been used to support US military interests" - blogs.lse.ac.uk/usappblog/2016…>> 3 days ago
- Cold War: The BBC's detailed plans for nuclear war - bbc.com/news/magazine-…>> 4 days ago
- Smuggled diplomatic diaries from dawn of Cold War to be made freely available online - phys.org/news/2016-07-s…>> 1 week ago
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