“The private, personal goal of the novelist in Hollywood is to successfully adapt their best prose for the silver screen.
Hollywood income was money that compelled writers like Faulker, F. Scott Fitzgerald, and Aldous Huxley to try their hands at screenwriting. But Fitzgerald had problems with the studio system of the 1930s because he virtually had no control over what happened to what he wrote. As an employee at MGM, he was just another scenario-writing cog in the massive machine … A screenwriter must relinquish a significant amount of control. The novelist, whose craft is largely defined by the vibrancy and specificity of detail, is naturally resistant to surrendering their right to micromanage.”
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