“Are you uncomfortable with ambiguity? It’s a common condition, but a highly problematic one. The compulsion to quell that unease can inspire snap judgments, rigid thinking, and bad decision-making.Fortunately, new research suggests a simple anecdote for this affliction: Read more literary fiction.”
“So how does literature induce this ease with the unknown?”
Researchers have the answer:
“Exposure to literature,” the researchers write in the Creativity Research Journal,“may offer a (way for people) to become more likely to open their minds.”
“The thinking a person engages in while reading fiction does not necessarily lead him or her to a decision,” they note. This, they observe, decreases the reader’s need to come to a definitive conclusion.
“Furthermore,” they add, “while reading, the reader can stimulate the thinking styles even of people he or she might personally dislike. One can think along and even feel along with Humbert Humbert in Lolita, no matter how offensive one finds this character.
“This double release—of thinking through events without concerns for urgency and permanence, and thinking in ways that are different than one’s own—may produce effects of opening the mind.”
From: http://www.psmag.com/blogs/news-blog/reading-literature-opens-minds-60021/
SpyWriter Jack King, the author of:
Agents of Change, WikiJustice, The Black Vault, and The Fifth Internationale.
Books by Jack King:


Feeling foggy about the world around you? Read literature:
“Science and art, when they are true, are directed not to temporary or private purposes, but to the eternal and the general–they seek the truth and the meaning of life, they seek God, the soul, and when they are harnessed to passing needs and activities, then they only complicate and encumber life. All our intellectual and spiritual energy is wasted on temporary passing needs…. Scientists, writers, painters work and work, and thanks to them the comforts of life grow greater every day, the demands of the body multiply, but we are still a long way from the truth and man still remains the most rapacious and unseemly of animals, and everything tends to make the majority of mankind degenerate and more and more lacking in vitality. Under such conditions the life of an artist has no meaning and the more talented he is, the more strange and incomprehensible his position is, since it only amounts to his working for the amusement of the predatory, disgusting animal, man, and supporting the existing state of things.” Anton Chekhov, in “The House with
“Do not trust the dominant ideologies and the princes. Stay away from the princes. Do not contaminate your language with language of ideology. Believe that you are stronger than generals, but do not measure against them. Do not believe that you are weaker than generals, but do not measure against them. Do not believe in utopian projects, except in those that you create yourself. Be equally proud in front of the princes and the people. Have a clear conscience of the privileges a writing profession bestows on you. Do not confuse the curse of your choice with that of class oppression. Do not be swept by the tides of history, and do not believe in the metaphor of a train of history. Do not jump on the train of history, it’s just a silly metaphor. Always remember that he who reaches the target misses the point. Do not write reports from countries that you’ve visited as a tourist. Do not write reports at all, you’re not a journalist. Do not believe statistics, numbers, and public statements; the reality is that which cannot be seen with the naked eye. Do not visit factories, collective farms, or businesses; progress is that which cannot be seen with the naked eye. Do not get involved in economy, sociology, or psychoanalysis. Do not occupy your mind with Eastern philosophy, or teachings such as Buddhism, or Zen, you have a smarter job. Be aware that imagination is a sister of lies, so it is dangerous. Do not get involved with anyone, a writer is alone.”
In the course of 40 years, Spanish journalist and editor Juan Cruz has found that “passion and vocation” move writers, but what “moves them most of all are their egos,” the theme of his new book “Egos Revueltos” (Scrambled Egos), because “envy is one of the great defects of the literary world.”







